Nestled at the foot of Glassy Mountain, hidden beyond a rhododendron-flanked drive and shaded by towering pines, stands Rhododendron—a gracious, weathered summer house that has been the heart of the Rhodes and Simpson families for 75 years. Owned today by five grandchildren of May Bond Screven Simpson Rhodes, the home has remained largely unchanged since she purchased it at auction in 1950. To step inside is to be transported to another era, another pace of life, and another definition of home.

On quiet mornings in East Flat Rock, the light settles softly over Mine Gap and Roper Roads. If you did not know better, you might pass the small white church on the corner without realizing that it holds within its walls nearly 160 years of history and memory.

For more than a century, the Lowndes House has stood at the intersection of two defining chapters of the village. First, the story of the Lowndes family, who helped shape Flat Rock into a Low Country summer refuge. And nearly one hundred years later, a second story of a young immigrant from Liverpool  -  Robert William Smith, whom we now know as Robroy Farquhar - whose theatrical vision transformed the Rock into the cultural heart of the region.

The Green River lies 130 feet beneath the old High Bridge on US 176 between Flat Rock and Saluda. The view down to the river is dizzying, and it is not hard to understand why, when the bridge opened in 1927, it was acclaimed as the highest bridge of its kind east of the Mississippi River.

But the High Bridge is more than tall. It is elegant. The bridge stands with a quiet dignity, and even now, nearly a century later, the sweeping concrete arches that once supported the ancient roadway command respect.

I recommend you pour a cup of coffee or hot tea, settle into a comfortable spot at home, and spend some unhurried time with the words and images offered here by your friends and neighbors. It may very well be the best use of your time all day. It certainly has been for me.

In the summer of 1948, Hendersonville danced.

It danced on Main Street between Third and Fourth, where forty couples might whirl at once under the glow of a setting sun. It danced at Poplar Lodge in Laurel Park on Tuesdays, at the pavilion atop Jump Off Rock on Wednesdays, and in the barn at the Saddle Club on Saturday nights. It danced to fiddles and banjos, to callers’ singsong voices, and to the steady beat of shoes on wooden floors.

And right in the middle of all that motion was a seventeen-year-old girl named Peggy Jones.

Propelled by the momentum of a highly successful 2025 and fueled by a staff brimming with creative energy and excitement, Flat Rock Playhouse’s 2026 season promises to stir memories, ignite delight, and linger in our hearts long after the curtain falls.

The 2026 season is built around familiar titles, iconic music, and stories that have lived on movie screens, record players, and bookshelves for decades. But at Flat Rock Playhouse, these beloved works are not simply revisited. They are reimagined - shaped specifically for this moment and most importantly, for the Playhouse audience.

The Playhouse staff provides a preview of their upcoming season.

At the end of each year, I undertake the impossible task of selecting my five favorite Flat Rock Together stories from the preceding 12 months. It is, of course, a task that is both arbitrary and unfair. Every story is valuable and should be celebrated in its own right. Stories are how we mark time, celebrate relationships, bestow accolades on the protagonists, and give meaning to our existence.

Five favorite stories from 2025 here.